This standing Buddha exhibits a youthful charm and proportion which has been documented in a type of Korean and Japanese work of the same period. Unadorned simplicity shapes the gentle features and the curving drapery that falls from one shoulder in simple folds. Sixth century influences upon Chinese art from India, Cambodia and other regions culminated during the T’ang Dynasty in a vigorous new international style of unmitigated Chinese character, but early in the T’ang the archaic character is still present. Despite the wear and damage to this piece, it retains its original spirited smile and a demeanor of kindliness. Age has lightened the hue of the schist with extensive pitting that gives an appearance of stippling. Lines on the surface are the residue of vines and roots that had adhered to the statue.